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Spring showings: Doors, '60s communes, Least Favorite and Crow's Shadow Press

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Art (2): Erin Jackson oil painting, Landscape Lights Away; and a photo from Across the Great Divide
Erin Jackson's <i>Landscape Lights Away</i>, 2011, oil on wood door, 16 inches by 11 inches; and an image from <i>Across the Great Divide: A Photo Chronicle of the Counterculture</i>

The Craft Center Gallery is first out of the gate with a new exhibition for spring: oil paintings by Erin Jackson, whose works are on doors, not canvas, and who calls her show Doors. It is scheduled to open Monday, March 28.

Then, on Thursday, March 31, the Nelson Gallery unveils its second round of exhibitions in its new, larger home, the former University Club 鈥 which now carries the name Nelson Hall. New for spring: Roberta Price鈥檚 Across the Great Divide: A Photo Chronicle of the Counterculture, comprising images of 1960s-era communes in the Southwest; and Least Favorite: Josh Greene, examining an artist鈥檚 relationship with his family.

The opening day schedule includes a midafternoon panel discussion focusing on Across the Great Divide (with Price among the panelists), and a reception in the early evening.

Extended Voices: Prints from Crow鈥檚 Shadow Press is set to open Monday, April 4, at the C.N. Gorman Museum. A lecture and reception are planned for the afternoon of April 5.

Here are the details:

CRAFT CENTER GALLERY

Doors
March 28-April 30

Reception: 6-7 p.m. Friday, April 8

Erin Jackson, ceramics instructor at the Craft Center, shows that she can paint, too.

The and its are in the . Regular hours: 10 a.m.-10 p.m. Monday-Thursday, 10 a.m.-7 p.m. Friday and 10 a.m.-6 p.m. weekends.

NELSON GALLERY

Across the Great Divide: A Photo Chronicle of the Counterculture
Least Favorite: Josh Greene
March 31-May 22

Panel discussion (Across the Great Divide): 3 p.m. Thursday, March 31
Opening reception (for both exhibitions): 5:30-7:30 p.m. Thursday, March 31

Across the Great Divide 鈥 Photos by New Mexico鈥檚 Roberta Price, who left her home in the Northeast to pursue the hippie aesthetic in the late 鈥60s and became one of the founders of Colorado鈥檚 Libre commune, which still exists today. The exhibition鈥檚 title is the same as the title of Price鈥檚 new book, published last November by the University of New Mexico Press.

Simon Sadler, professor of architectural history in the Design Program, curated the Nelson鈥檚 exhibition.

鈥淚t can be argued that Libre and other communes mark the beginning of the end of America鈥檚 unquestioned embrace of the suburban ideal by the first generation to grow up in that environment,鈥 Sadler said.

鈥淭hat generation sought to reinvent community, and its struggles were parallel to the investigations that led to Davis鈥 own Baggins End and Village Homes.鈥 The former is the name of the domes residential area on the Davis campus, the latter refers to the ecosubdivision in west Davis.

Sadler is among the people who are due to participate in the opening day panel, along with Price; Jesse Drew, filmmaker, associate professor in the Program in Technocultural Studies, and the program鈥檚 director; and Erin Elder, freelance curator. Renny Pritikin, gallery director, as the moderator.

Least Favorite 鈥 Josh Greene, a San Francisco-based art humorist, addresses the question: What do your parents really think of what you do? In a larger sense, he is exploring what the wider society thinks about contemporary art.

He enlists his family in many of his art projects, and, for this work, he asked his parents, siblings, cousins, aunts and uncles, and others to name their least favorite of his art projects over the past decade, and to explain why. Least Favorite comprises the responses, along with portraits of the responders.

The is in (formerly the University Club). Regular hours: 11 a.m.-5 p.m. Saturday-Thursday, and by appointment on Fridays.

C.N. GORMAN MUSEUM

Extended Voices: Prints from Crow鈥檚 Shadow Press
April 4-June 12

Talk by Frank Janzen, about the history and collections of Crow鈥檚 Shadow Press: 4 p.m. Tuesday, April 5, 3201 Hart Hall
Reception: 5 p.m. Tuesday, April 5

Crow鈥檚 Shadow Press is the publishing arm of the in Pendleton, Ore. With a primary focus on printmaking, the institute鈥檚 studio attracts established as well as emerging Native American artists.

Extended Voices, presented in collaboration with Tamarind master printer Frank Janzen, reflects a range of printing techniques by such established artists as Rick Bartow, Edgar Heap of Birds, James Lavadour, Kay Walkingstick, Joe Feddersen, Marie Watt, Phillip John Charette, Gerald McMaster and Wendy Red Star.

The is in 1316 . Regular hours: noon-5 p.m. Monday-Friday.




 

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Dave Jones, Dateline, 530-752-6556, dljones@ucdavis.edu

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